C zanne s watercolors exhibit not only kaleidoscopic arrays of translucent color but also very light graphite pencil lines that contrast strikingly with the soft watery touches of color. These drawn lines have been largely overlooked in previous studies of C zanne s watercolors. In this ravishing book, Matthew Simms argues that it was the dialogue between drawing and painting the movement between the pencil and the paintbrush that attracted C zanne to watercolor. Watercolor allowed C zanne to express what he termed his sensations in two distinct modes that become a record of his shifting and spontaneous.
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