Between 1940 and 1944 in German-occupied France, the previously disregarded documentary or film de complement took on a new and more prominent role for cinema audiences. Film programmes were obliged for the first time to show documentaries as well as the main feature. Vichy Government support and encouragement made documentary a vehicle for the palatable promotion of policy whilst ostensibly appearing neutral and didactic. Key to this task was the fostering of a climate in which documentary film could be appreciated in its own right, and so it was that.
Screening Reality: French Documentary Film During the German Occupation (Modern French Identities) read online free book
Screening Reality: French Documentary Film During the German Occupation (Modern French Identities) for free
Screening Reality: French Documentary Film During the German Occupation (Modern French Identities) book
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